The soul presents itself in a variety of colors, including all the shades of gray, blue, and black. To care for the soul, we must observe the full range of all its colorings, and resist the temptation to approve only of white, red, and orange—the brilliant colors. The “bright” idea of colorizing old black and white movies is consistent with our culture’s general rejection of the dark and the gray. In a society that is defended against the tragic sense of life, depression will appear as an enemy, an unredeemable malady; yet in such a society, devoted to light, depression, in compensation, will be unusually strong.
Care of the soul requires our appreciation of these ways it presents itself. Faced with depression, we might ask ourselves, “What is it doing here? Does it have some necessary role to play?” Especially in dealing with depression, a mood close to our feelings of mortality, we must guard against the denial of death that is so easy to slip into. Even further, we may have to develop a taste for the depressed mood, a positive respect for its place in the soul’s cycles. Some feelings and thoughts seem to emerge only in a dark mood. Suppress the mood, and you will suppress those ideas and reflections. Depression may be as important a channel for valuable “negative” feelings, as expressions of affection are for the emotions of love. Feelings of love give birth naturally to gestures of attachment.
In the same way, the void and grayness of depression evoke an awareness and articulation of thoughts otherwise hidden behind the screen of lighter moods. Sometimes a person will come to a therapy session in a dark mood. “I shouldn’t have come today,” he will say. “I’ll feel better next week, and we can get on with it.” But I’m happy that he came, because together we will hear thoughts and feel his soul in a way not possible in his cheerful moods. Melancholy gives the soul an opportunity to express a side of its nature that is as valid as any other, but is hidden out of our distaste for its darkness and bitterness.